Miking a Drum Kit: The Challenge of a Production
It is generally agreed that the most critical part of a production is capturing the sound, in other words, the recording itself. This does not mean that the other stages are…
54 articles · page 2
It is generally agreed that the most critical part of a production is capturing the sound, in other words, the recording itself. This does not mean that the other stages are…
We are presenting a series of three instructional articles in which we look at the most widely used audio processors, discussing some of the techniques commonly used with them…
Which mics, where to place them, which preamps, how? Sooner or later you'll reach the stage of "let's record the rehearsal and put it on YouTube," or "Tonight's concert is being…
The name of our magazine, ISP Música, gives a good idea of two of the reader profiles who devour each monthly issue: musicians and sound professionals. The former enjoy the…
The computer has gradually become an essential tool for most people… Guitarists, bassists, drummers, keyboardists, singers? Who at this point doesn't have social media wired into…
This isn’t the first time we’ve tackled this topic: although recording vocals may seem like a simple task, it may be one of the elements that is hardest to get sounding right. The…
In the recording studio, it's inevitable that almost every session we do will include at least one instrument providing the lowest frequencies, usually with a monophonic musical…
We continue with the series of articles on the great art of acoustically recording different instruments, in this case with the one dedicated to drums, which we began last month…
If you missed the previous installment, here's a quick catch-up: we're taking a tour of the most widely used microphone techniques for recording an acoustic drum kit. The…
If we surveyed all ISP readers asking "which instrument do you find hardest to record?", the acoustic drum kit would probably emerge as the undisputed winner. A typical kit…
When a band or an individual comes up with the idea of going into a recording studio to capture what they play or perform on a physical medium, very often it is not clear enough…
Generally, when users think about making an investment to improve their studio, the first thing that comes to mind is buying more gear. Of course, buying new mics, preamps…
Below we present a range of recording techniques, starting with the simplest -a single mic- and moving on to several microphones of different types, multiple amps, line signal…
Many users send ISP questions about how to set up a monitoring rig that combines several different monitors: What is it for? Which monitors should I choose? What qualities should…
This article closes the series devoted to digging into some of the Pro Tools features that help you work faster in this DAW. We have covered topics such as naming conventions and…
Many of the most repetitive tasks have a keyboard shortcut of their own, or even a whole workflow, that eases the workload to some extent. In other cases, little-known features…
How do you talk about studio recording when so much has already been said that we're almost saturated with reading about it? I'm going to try to share some personal points of…
If you've been mixing for a while, you probably know what the headline refers to. Simply put, the mix you're working on isn't working. Maybe you don't know exactly why, but it's…
The article titled "Your Studio's Control Room" tackled the subject of acoustics in enclosed spaces, applied to the control room of a recording studio. With the goal of achieving…
The acoustics of a recording studio are sometimes one of the most neglected aspects, especially in those with a tight budget. The tendency is to invest in mics, compressors…
Gear reviews, interviews and lessons for musicians, producers and engineers. No noise: only when there is something worth telling.